Decades if not centuries of building. Areas measured in hectares, and rooms for thousands measures. Concrete representation of the best physical assets of each era, and symbolic affirmation of the power of kings as chosen by God on earth. They are the palaces, from one end of Europe to another, evoking the history of the continent through the crowned heads who built, up from austere fortresses to complex as big as excessive. In the decline of many of the monarchies, those palaces were other places: In France, the Louvre Museum and Versailles was followed the steps. The Hofburg, in Vienna, became the residence of the Austrian president, while the museum lives in Windsor with sectors still in use by the British royal family.
THE LOUVRE AND VERSAILLES “I am the state”, say he said. And although it is likely that Louis XIV has not ever spoken those words, it could be secured “My palace is me.” The figure of the Sun King and his projection on the seventeenth century are associated with one of the most impressive palace complexes in Europe: Versailles, outside Paris, that the king preferred the Louvre and expanded to convert it from a hunting lodge in a monumental set of walls, palaces and gardens. Up to 20,000 people, any court-city full of intrigue, came to live in their offices and classrooms.
Louis XIV and the successive kings, until the revolutionary year 1789, were building the State Apartments of the King and Queen, the emblematic Hall of Mirrors imagined by Mansart (architect who also named the most popular Parisian mansard), the Chapel and the Opera House, the gardens designed by landscape architect André Le Nôtre. They are part of the glamorous Grand Trianon Versailles, “little palace of pink marble and porphyry with delightful gardens,” and “domains of Marie Antoinette,” which meet the Petit Trianon and the bucolic “Village Queen”. The visit to Versailles, reached easily by underground Paris Regional (RER) is an all-day experience, yet is short: the dimensions of the palace are huge (enough to recall that among the main body and the domains Marie Antoinette you take a small train) and its treasures, fabulous. Especially his spectacular Hall of Mirrors, or Grand Gallery, designed to make visitors gasp of Louis XVI. A goal that is getting more than three centuries later, with its 73 meters long, punctuated by 17 windows that illuminate 357 mirrors. In a shot in elevation, in addition to amaze with the profusion of baroque decoration, the Gallery reaffirms the power of the Manufacture of mirrors created by France to counter the Venetian influence in the matter. In this fantastic framework were held in 1770, the marriage of the dauphin, Louis XVI, with the very young Marie Antoinette.